Saturday, 15 July 2017

Black and White at Aspire Gallery, Paddington Brisbane

There's something very appealing about the simplicity of black and white - the strong contrasts catch the eye. Working in ink with a fine pen is meditative. You can loose yourself in the repetition of the lines, building up delicate cross-hatching, gradually darkening the values.

Teacup with Cherries - ink on Zeta paper - Framed 230 mm x 230 mm 

These two ink drawings are part of the Exhibition Black and White currently on at Aspire Gallery, 53 Kennedy Terrace, Paddington until the 22nd July. There's a wide variety of work being shown - paintings, drawings, ceramics, sculpture and a fabric installation as well.


Porcelain with Tomatoes - ink on Zeta paper - Framed 230 mm x 230 mm





My drawings hanging in the Gallery. 


Monday, 3 July 2017

Switching mediums

I have always used different mediums. When I attended art school (way back when) oils were the medium of choice. I know I'm giving away my age, but Acrylics were relatively new then, and not very good. Watercolours were definitely not a good choice for making an impression on the lecturers. The medium was deemed not important enough for profound artistic statements. In spite of the focus on oils at Art school, subsequently I worked for many years in watercolour, loving the way the paint moved.

Personally, I prefer to stay with one medium for a while, delving deep, discovering, experimenting and developing a theme. Then, after some time with a medium, say watercolour, I crave the smell of oil paint; the texture of it; the feel of the brush on the canvas; the freedom to scrape away and paint over.

Ideas stemming from seeing the magnificent rock formations during last year's visit to the Tasman Peninsula are influencing my current obsession with surface. I am focusing on the way the paint lies on the canvas or panel; the topography that is created through layers; through incising lines into the semi-dry paint exposing earlier layers; by dragging painting over uneven areas building a history of marks.



WIP Detail - Untitled - as yet - Oil, Oil pastels, Charcoal and Cold Wax on panel

Then as a complete change of pace I have a couple of ink drawings on show at Aspire Gallery 53 Kennedy Terrace Paddington. The group show Black & White is opening this coming Saturday 8th July, 4.30 pm to 6.30 pm and will run until 22nd July 2017.


Cherries in a Teacup - ink on Zeta paper 230 mm x 230 mm

Porcelain with Tomatoes - ink on Zeta paper 230 mm x 230 mm

Wednesday, 28 June 2017

A short Sabbatical - at home.

A couple of weeks ago, I had the bad luck to have another driver run into the back of my car. I was stationary, he was watching the lights at the intersection not  car in front of him. 

Since I would be without my car for at least this week, I decided to take the opportunity to take a sabbatical - in my Studio. There are no classes - the Studio is closed for the winter break - I have no appointments or obligations - I have uninterrupted time to draw and paint. 

I start each day with a walk in the park across the road from my home. Each morning I vary the route, sometimes walking up the road to enjoy the sunrise. The downside of this route is an increase in traffic noise, but well worth it for the beauty of the sky. Here are some images on my Instagram page - Early morning colour

Once home, I settle myself in the Studio and get busy. Mid morning I take a short break walking up the road to Deja Bru Cafe for coffee. While there, I have time for a quick sketch, then it's back into the Studio for the rest of the day.



Monday 26th June


Tuesday 27th June